FREMONT, California.—Blackmagic Design has announced that its equipment, software and tools were used in more than 30 of its 2022 summer season’s global film releases.
Movies like ‘Thor: Love and Thunder’, ‘Jurassic World Dominion’ and ‘Bullet Train’ were shot with the Blackmagic Pocket Cinema Camera and URSA Mini Pro 4.6K G2 digital film cameras, DaVinci Resolve Studio editing, grading, visual effects (VFX ) and audio post-production software, and more.
In addition, films such as “Elvis” relied on Blackmagic Design equipment during both production and post, with the film using Pocket Cinema Camera 6K for photo retrieval and DaVinci Resolve Studio for on-set review, online editing and final color correction. Company. .
Summer blockbusters and breakout independent projects also used DaVinci Resolve Studio for their post-production needs, including films like “Top Gun: Maverick,” “Nope,” “The Black Phone,” and “Crimes of the Future.”
Summer movies that used Blackmagic Design cameras include:
- Poser” DP Logan Floyd used URSA Mini Pro 4.6K G2s;
- “Three Headed Beast” Director and DP Fernando Andres used Pocket Cinema Camera 4K;
- “Watcher” DP Benjamin Kirk Nielsen used Pocket Cinema Camera 6K to capture VFX and news footage; and
- “The Wrong Place” DP Peter Holland and Second Unit DP Laura Nolan used Pocket Cinema Camera 6K for extensive second unit photography.
Summer movies that used Blackmagic Design products for editing and VFX:
- “Elvis” Editors Jonathan Redmond and Matt Villa used DaVinci Resolve Studio for the conformation and quality, as well as UltraStudio recording and playback devices within their offline editing pipeline;
- “Endangered” VFX supervisor Alex Noble of Wild Union Post used DaVinci Resolve Studio within his VFX pipeline;
- Assistant editor “Neptune Frost” Skylar Zhang used DaVinci Resolve to create dailies as part of the editing pipeline;
- Wild Union Post’s “Resurrection” VFX supervisor Alex Noble used DaVinci Resolve Studio within his VFX pipeline;
- “Samaritan” VFX Supervisor David Lebensfeld of Ingenuity Studios used DaVinci Resolve Studio within the VFX pipeline; and
- “Where the Crayfish Sing” Editor Alan Bell used UltraStudio HD Mini.
- Summer movies that DaVinci Resolve Studio used for post-production include:
- “Allswell” reviewed by Nicholas Lareau of Nice Shoes;
- “Barbarian” reviewed by Sam Daley of Light Iron;
- “Beast” reviewed by Stefan Sonnenfeld of Company 3;
- “Billion Dollar Babies: The True Story of the Cabbage Patch Kids” co-produced with NBCUniversal Syndication Studios and Believe Entertainment Group and reviewed by Sal Malfitano of Nice Shoes;
- “The Black Phone” reviewed by Supervising Colorist Nat Jencks of PostWorks New York and Extra Colorist Jason Fabbro of Picture Shop;
- “The Bob’s Burgers Movie” reviewed by Philip Beckner of FotoKem;
- “Bullet Train” reviewed by Company 3’s Dave Hussey;
- “Cha Cha Real Smooth” reviewed by Nat Jencks of PostWorks New York;
- “Crimes of the Future” reviewed by Bill Ferwarda of Company 3;
- “Don’t Make Me Go” reviewed by Philip Beckner of FotoKem;
- “Elvis” reviewed by Colorists Kim Rene Bjørge and Kali Bateman and Supervising Colorist Brett Manson;
- “Emily the Criminal” reviewed by Walter Volpatto of Company 3;
- “The Janes” reviewed by Ken Sirulnick of Goldcrest;
- “Jurassic World Dominion” reviewed by Stefan Sonnenfeld of Company 3;
- “The Man from Toronto” reviewed by Stefan Sonnenfeld of Company 3;
- “Neptune Frost” reviewed by Catherine Pantazopoulos and Nicolas Perret on behalf of Lobster Films;
- Rated “No” by Greg Fisher of Company 3;
- “Poser” reviewed by Ori Segev using DaVinci Resolve Micro Panel;
- “Resurrection” reviewed by Nat Jencks of PostWorks New York;
- “Sharp Stick” reviewed by Nat Jencks of PostWorks New York;
- “Thor: Love and Thunder” reviewed by Jill Bogdanowicz of Company 3;
- “Top Gun: Maverick” reviewed by Stefan Sonnenfeld of Company 3; and
- “Watcher” reviewed by Stephen Nakamura of Company 3.
Summer movies that used Blackmagic Design products for production include:
- “Beast” DIT Lentsoe Mamatela used DaVinci Resolve, UltraStudio 4K Mini, and DeckLink Mini Monitor Playback Card;
- “The Black Phone” THIS Jason Johnson used DaVinci Resolve Studio, Videohub routers, and UltraStudios;
- “Emily the Criminal” DP Jeff Bierman used DaVinci Resolve Studio on set to review select shots;
- “Flux Gourmet” THIS Richard Strong used DaVinci Resolve Studio for on set and in newspapers;
- “The Forgiven” DIT Digital Orchard’s Daniel Alexander used DaVinci Resolve Studio for on-set and in newspapers; and
- “Samaritan” DIT Stuart Huggins used DaVinci Resolve, ATEM Mini Pro ISO live production switcher, MultiView 16 monitor, Smart Videohub CleanSwitch 12×12, DeckLinks and UltraStudios.